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The prop of the skull, with us from the start of the play, is interesting here. On the one hand, it is part of an archaeological dig, part of the recovery of lost histories that need to be renewed and remembered. Its presence in this play questions, as much as confirms, the possibilities of any honest reckoning with the past.

For all its raucous humour, this is an important play. What it shows us is that art - theatre; film; tv - has something vital to contribute in our drive to confront painful truths about Australian history. Archaeologists and historians, like Dr Jacqueline Black, can tell us what happened, where, and when.

Portsmouth Climate Festival — Portsmouth, Portsmouth. Edition: Available editions United Kingdom. Become an author Sign up as a reader Sign in. Huw Griffiths , University of Sydney. Blackie Edit this record. Mark as duplicate. Find it on Scholar. Request removal from index. Revision history. Download options PhilArchive copy. This entry has no external links. Add one. Setup an account with your affiliations in order to access resources via your University's proxy server Configure custom proxy use this if your affiliation does not provide a proxy.

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